Preview Thursday 13 June 6.30–8.30pm
14 June–14 July 2019
Open: Wed–Sun 12–6PM
Let’s imagine the future of language; Not simply the languages that we hear most often and take up the most space today, nor those that experts predict will survive and those that will not, but every single possible future for all languages that have ever existed, and for everyone to whom they belong, and those that come to belong.
Second Tongues is the title of a speculative fiction narrative developed by Toronto-based artist Serena Lee, developed collectively with others and exhibited in multiple parts for Cubitt’s ongoing Structures That Cooperate Programme.
The project departs from a premise where in the future, we all speak a second language not of our choosing. Second Tongues becomes a speculative fiction world-building framework for critically engaging with experiences of nationhood, kinship, market-driven globalisation as they relate to histories and practices of language. A proposition for reimagining futures decentered and reorganised.
Presented across video, installation and augmented reality, the exhibited elements of Second Tongues have developed through conversations with London-based language education organisations, migrant worker and newcomer community services, linguistic researchers and public audiences. In addition the artist has collaborated with Black Shuck, a London-based co-operative developing augmented reality layers for further speculation and translation.
The installation also makes use of and adapts Clemence Seilles’ ongoing scenography for the Structures That Cooperate programme.
Serena Lee is a Canadian artist whose practice stems from a fascination with polyphony – a musical term for multiple, simultaneous melodies – and its radical potential. Serena’s art work integrates a broad range of media: for example, current projects involve elements of VR, textile-based sculpture, public conversation, and tai chi. More broadly, she incorporates cinema, performance, voice, image and text, and references classical piano performance and musical theory.
Her work has been presented across Canada and internationally in Europe, the UK, the USA, Indonesia and China; she is a member of the feminist art collective, Read-in, based mainly in the Netherlands, which explores the embodied, situated, and political aspects of collective reading aloud. Serena also collaborates with artist Christina Battle as SHATTERED MOON ALLIANCE, to unpack narratives of time travel through a series of participatory workshops and transmedia publication.
Serena holds a Master of Fine Arts degree from the Piet Zwart Institute in Rotterdam (NL) and an Associate Diploma in piano performance from the Royal Conservatory of Music (CA). She is an active member of the creative community in Toronto as an artist, educator, and in artist-run-centre governance. .http://www.serenalee.com/
Ongoing and off-site collaborations include working with Clemence Seilles on the scenography of the gallery space, The Voice of Domestic Workers in residence, Schooling & Culture working at Arts and Media School Islington and research with W.A.G.E.
This is exhibition is supported by Canada House, Canada Council for the Arts, Arts Council England and Outset Contemporary Art Fund.